Sunday, September 30, 2012

Somewhere between living the moment and immortalizing it (again)


And so it happened again, another nephew, who will turn three next June went on an expedition with me, and once more there was no camera in sight. And – there you go – we met a donkey and there was serious child playing for enough time (the difference is that Issam, as opposed to Youssef, is not afraid of animals and so there was a lot of caressing going on).
And here were are, several years after the March 10 2008 post, “somewhere between living the moment and immortalizing it” back with the same question. So the alternative scenario would have been: I take my smartphone with me (a smartphone I do not have), snap a pick, toy with it on Instagram (on the account I did not open), tweet it (on the alias I never bothered to have) with “Sunday morning #nephew #animal #love #happiness” – and the moment which will or will not remembered later by my nephew would be shared with people (which I might or might not have met in person) rendering what is essentially a private incident to become a more public one (even if briefly as twitter tends to erase the content of the account after a limited period).
Why do I go back to the point of privacy over and over again? Maybe because I grew up in a time where it mattered? I go back to what Jodie Foster said about the Kristen Stewart cheating affair in a brilliantly penned post for The Daily Beast: “I have been an actress since I was 3 years old, 46 years to date. I have no memories of a childhood outside the public eye. I am told people look to me as a success story. Often complete strangers approach me and ask, How have you stayed so normal, so well-adjusted, so private? I usually lie and say, “Just boring I guess.””
Yes, essentially our lives might or might not be boring, but this is no ticket for other people to invade all sectors of it, specifically areas we would like to keep outside the limelight. Foster adds: “Actors who become celebrities are supposed to be grateful for the public interest. After all, they’re getting paid. Just to set the record straight, a salary for a given on-screen performance does not include the right to invade anyone’s privacy, to destroy someone’s sense of self.”
Someone I know got married, and – yes – went on a honeymoon. I keep getting updates as to her whereabouts and I recently checked her twitter account and discovered that there too she’s been exceptionally busy sharing whatever she is doing and where she is. But isn’t the whole principle of honeymoon that is it time alone spent by two lovers away from it all?
Sure, I know, people always sent postcards from their honeymoon and their trips, but the difference was that postcards entailed the element of “delayed gratification” – most of the time they would reach their destination after the couple had come back from their time alone. Even emails still allowed the luxury of just checking them in leisure time – to be sent or replied to at one’s own convenience.
But this whole celebration or “the here”, “the now” – the immediate that is, sort of baffles me. I was once having a discussion with a social media savvy friend, essentially he said “so you travel, you find your directions through your app on the phone, see a restaurant, read its reviews online and decide if you want to go there or not for lunch.” To which I replied “you travel, you take the tram, go off at some random stop, get lost, explore the city’s underbelly off the beaten path, find a mom and pop hangout, try your luck, and see what comes out of it.”
But then, what do I know? These days the net is abuzz with the 25th anniversary of Bad (Michael Jackson’s follow up to Thriller). Which means that very soon there will be another 25th anniversary, that of the release of “Moonwalker” – and hence my first date with the girl that was the most beautiful in our school. Had we been living today, probably our first date would have been tweeted, facebooked, Instagramed (insert other appropriate verbs here). It’s a good thing I can still remember it as a private event. Because essentially, that’s what it is.

Saturday, September 29, 2012

Employ Fady Chahine (and limit the damages)!

"Evil works with idle hands", so they say! And a talented art director is bound to explode his creativity whenever and wherever because - hey - you did not hire him to give him a way of channeling it to your clients! Check out the campaign, and unless you want your favorite bartender turned into ballerina, I would call or email him if I were you.

Friday, September 28, 2012

The Outpost is out (and I am post-ing about it)!

So here it is, the zero issue of the Outpost. To be fair and square, I still have not managed to put my hands on an issue (bummer! No complementary issues for bloggers? Hehehehe!) - joking aside even before flipping the content of the pages and knowing who is behind it (Ibrahim, Raafat et al.) I already know this is a good and impressive work. Good luck with the continuation. Now people, drop everything and go get yourself a copy!

Thursday, September 27, 2012

Manzini/Yamout event - a Commune inititative

Just in case you did not know about this:
October 12 at 2:00pm until October 13 at 11:00pm in UTC+03.. Ezio Manzini and Salam Yamout will be discussing the linear process of forming better living communities through creating new models of social innovation opportunities outside the current mainstream living models, and how the creation of those new models can lead to sustainable living.


12 October 2012, 2 pm to 7 pm. Altcity

Workshop with Ezio Manzini on social innovation and sustainable living

20$ (drinks and bites included)

13 October 2012, 8 pm to 11 pm. Altcity

Creativenights (Ezio Manzini and Salam Yammout)

20$ (drinks and bites included)

contact altcity.me for reservations

For further details and updates please go to Commune's page on Facebook. The event is moderated by Halim Choueiri which is an additional treat!

Monday, September 24, 2012

Zuhair Murad's multiple wardrobe malfunctions


Image credits Technology-Club and Sofia Vergara

And so he did it again! I know this is not usual Beirut/NTSC territory, but heck, Zuhair Murad is Lebanese so can be counted to be part of this design critique blog. Earlier this year, at the Academy Awards, there was this huge dilemma if Jenifer Lopez did or did not have a nip-slip in her figure hugging Murad dress (I think she did, but the fact that so many people suspect it only makes it more credible). Then Sofia Vergara shows up at the Emmy Awards only to have her dress literally split from behind - also a gown by Zuhair Murad.
A more revealing image can be found here by the way, and I am not saying it doesn't happen to other designers (case in point Alber Elbaz from Lanvin!) but when this takes place at a few months' interval for the same designer, it makes you wonder if all Hollywood stars pick dresses several sizes too small, or if Murad has a serious "fitting" issue (or ill-fitting issue to be more exact).
Let it be known that Beirut/NTSC does not oppose to extra flesh from either Lopez or Vergara, and if the "serie noire" is to continue we are ready to help Murad pick his next victim (Kristen Stewart survived a Murad attempt lately, lucky for her and unlucky for us!).

Sunday, September 23, 2012

Socially irrelevant graffiti: INTI bala ta3me.


Lately, my circles have been abuzz with the new huge graffiti in Hamra (or is it more of a mural?). Anyhow, I set off to discover it on my own, and despite the sheer volume of it (several stories high!) I had to ask some seven people including two delivery boys and no one had head of the "building on the side of which a huge painting was done" (it was Omar from Ashekman crew who eventually told me).
Well, the graffiti done by Chilean artist INTI is nothing short of breathtaking in terms of size, it is technically accomplished, and esthetically exceptionally solid and detailed. But.... What does it mean? I was speaking to an intercultural psychologist who explained to me that the necklace of dolls is a local Chilean superstition, that the lamb was the symbol of... And then three minutes down the line the futility of it dawned: If you were going to spend three minutes to explain to a local the artwork which so voluminously towers over the street, then the art is irrelevant socially and contextually.
Interestingly, near this huge work, there is a small sentence on the opposing wall: "est-ce beau la?" which in French means "it is nice over here?" but check again and what do you get? Phonetically, in French it would be "es-bo-la?" (need I elaborate to say "Hezbollah?"). A very tongue-in-cheek which encapsulates the beauty of graffiti - one that defies what can be said all while suggesting it, the can-we/can't-we approach at its utmost smartness. Had whomever written this wrote the name of the party as such, the graffiti would have been defaced immediately, but because the envelope was pushed just far enough to suggest rather than dictate, the result remains an innocent question as to if the graffiti "fits in a certain place of not" - very witty, smart, and it's in yellow (another indication!).
So between INTI's aesthetic masterpiece which is socially irrelevant, and the smaller, smarter, clin d'oeil of "est-ce beau la?" my vote goes clearly to the second.

Friday, September 21, 2012

Pope case specific ads

The Pope's visit to Lebanon engendered about a billion ads with everyone trying to cash in by showing support. But rare are the ones who tried to incorporate it with their own brands in a meaningful way that would show "synergy" or at least correlation with inherent brand features. Here's three who managed to do that:
General Michel Aoun, leader of the Free Patriotic Movement used to begin his speeches with "ya cha3b louban al 3azim" (oh great people of Lebanon) and since the Holy See is called in Arabic "al habr al a3zab" (the greatest of Eminences), the ad reads "the great people welcomes the greatest of Eminences" and is naturally signed FPM. The visual's reference is lame, but at least the copy manages to save the day.
The other political entity which managed to dip the Pope's visit in its own sauce, was the Phalangists or Kataeb. Remembering that the Pope's function is to continue St. Peter's work and that Jesus called Peter "the rock" the ad reads "Lebanon welcomes the rock of the church." And what's the link with the Kataeb? Their founder was called "Pierre" (Peter) Gemayel and was known as "the rock." So that too is an inside innuendo for their own public.
Now here's a giveaway, the Universite du Saint-Esprit de Kaslik (the Holy Spirit university) headlines "with the joy of the Holy Spirit we await your coming." Although obvious, it is nonetheless brilliant.

Thursday, September 20, 2012

Law 174 does not apply to actors

You know about Law 174? The one that fobids smoking in closed places? Apparently movie studios and filming sets are not including in the list of such places. Just look at Bassem Yakhour (thanks Nada!) enjoying a cigar while Youssef el Khal (unconvincingly) sports a pipe. But then, this is Lebanon where exception - not just proves the rule - but IS the rule!

Benedictus XVI - odds and ends.

Now that Pope Benedictus XVI has come and gone, let's examine some of the odds and ends related to his visit. Well, fist, he replaced Nadine Labaki as spokesperson for Johnnie Walker! So your holiness, "and now, where to?" (Wou halla2 la way? As Labaki's 2nd long feature is titled)....
 "Lebanon in its entitrety welcomes his Holiness" - courtesy of Al ammouri Aley, a men's clothing store! And apparently the visit is sponsored by several alcholic brands (no mention of Johnnie Walker but this time Absolut Vodka and rival Whisky Ballentines....)
And the crown goes to this! If anyone had doubts that "there's no business like religion" (as opposed to "there's no business like showbusiness) here'a final damning proof....

Wednesday, September 19, 2012

Exotica: get real!

Every year at this point Exotica launches a hybrid campaign - with no festivity to coincide with this time, they just dress it up in an occasional sauce, sometimes it's back to school, sometimes it's a fall campaign. Now they've gone for an anticipated Valentine's day.
Trying to promote their online delivery, they recommend the whole internet-savvy generation (working on a limited budget already to remain connected all the time between their smart phones, their technical gizmos without forgetting paying your internet cell phone subscription) to skip (the now defunkt) facebook gifts, chat emoticons, and whatever else online craze is currently de jour to visually express love from one person to another.
Instead they should sway their partners by sending flowers via the online arm Exoticaflora.com insuring "joy forever" for $250 (what could amount for a serious down payment at a jeweller for a nice ring). Oddly I saw this photo on the net, and it sort of sparked comparisons on my mind:
The description of the service (which is a facebook app) is as follows:
"If sending virtual gifts like hearts, flowers and smiles on Facebook isn't your bag, you can send the real deal via RealGifts, a Facebook app that allows you to purchase real items and send them to your Facebook friends. Real gifts appear in Facebook's Gift shop and can be purchased through the Facebook credit system (10 credits = $1)."

Monday, September 17, 2012

Oh lord won't you buy me a.... Mercedes Benz!

"Oh Lord won't you buy me a Mercedes Benz"... Or so sang Janis Joplin (for the version of Deborah Phares in Arabic - penned by moi - please go here) and now we get this full blown ad for the new building of the brand courtesy of TGF (Toufic Gargour et Fils). The retro font in Arabic is being used everywhere and by everyone, but it could be justified in this instance (I doubt this is an original plate taken from the archives of TGF) but the whole mood functions (notice I cut the ad in half to elminate the new C class) keeping just the cool part.
The bummer? Well, Joplin continues "All my friends drive Porsches and I must make amends." You paid for the building by the way (just look at number of the Mercedes cars on the road), so enjoy whatever it will be!

Saturday, September 15, 2012

We got the Pope's slogan (but it wasn't the one we wanted)

Photo credit: Tayyar.org

Recently, and in my post about the ads regarding the Pope's visit to Lebanon (which is ongoing) I jokingly said we needed a slogan (much in the same vein as "John Paul II we love you" which was created for the late Pope's 1997 Lebanese visit). Najib from Blog Baladi jumped on the bandwagon and pushed it further in a bon enfant mood.
Well, we got the slogan for Benedictus XVI's visit, except I doubt it's the one we wanted: "El Muslim yefa3 ido, el Baba ma minrido" (Muslims raise your hand, the Pope is to be banned). It was initiated in Tripoli where a KFC branch was set ablaze because of the anti-Muslim film fever sweeping the Arab world.
You may think it's a "new" thing or an "abhorrence" in a country where sects and religions coexist. But, even as far back as 1997, when the seaside - now Biel conference and events center - was reclaimed as an area for the gigantic outdoor mass (which was attended by an estimated 700,000 people - not all of them Christians I must say as the cameras showed) there were demonstrations to stop the land hosting a mass with one demonstrator saying in camera: "la Baba wa la mama, nehna ahak mennon" ("Don't tell me "papa" (Pope) or mama, we are more worthy of this (land) than they are" - with "they" referring to Christians).
I am so afraid, that underneath the glitzy surface, so much tension is boiling, so much anger is being brewed and the flames of hatred are being fanned by everyone.

Thursday, September 13, 2012

Balagh rakm wahad: Steal this ad...


 
Research credit: Beirut/NTSC research department
In a very recent post, I said that the above ad for the army may or may not have been "inspired by" the Pirelli ad. As a reply, a comment by Mr. Anonymous said: "People like you, who lack an understanding of what plagiarism means, are what make the industry a sad place to work."
True, I owe Mr. Anonymous an apology. The ad was not stolen..... From Pirelli, it was stolen from D-Fence a company that makes barbed wires.... Now Mr. Anonymous, tell me who is making this industry "a sad place" - you? And your stealing of other people's ads or me, who exposes your petty lies?
Whatever the answer, the ad IS stolen.
I must congratule "my research department" who spent a sleepless night to get this one straight, so on behalf of my readers I thank them - they are badly paid you know!

Wednesday, September 12, 2012

The right to ridicule religion. All religions.


The paragraphs below are reprints of an older article I have written in November 2008 and filed from Kalmar, Sweden when a group of Middle Eastern journalists met with Ulf Johansson, the editor of a newspaper in Sweden which printed a drawing by Lars Vilks depicting the prophet Mohammed as a roundabout dog.
I am reprinting these fragments of the article following what is currently going on in the world, whereby a Jewish filmmaker has done a very deeply insulting movie called “Innocence of Muslims” (His name is Sam Bacile*). The aim of this post is not to endorse Bacile, nor to embrace the riots (or the death of the American ambassador in Lybia), it is just a way to put this under some rational light in an experience which has happened before and lessons could be taken from the process:
In August 19, 2007, the Nerikes Allehanda newspaper printed a drawing by Swedish artist Lars Vilks depicting the Prophet Mohammed as a roundabout dog. According to editor-in-chief Ulf Johansson, the publishing of the image was done by the newspaper in order to protest the refusal of several Swedish art galleries to show a series of Mohammed paintings by Vilks.
In his editorial in the same newspaper, editorial-writer Lars Stroman writes: “A liberal society must be able to do two things at the same time. On the one hand, it must be able to defend Muslims’ right to freedom of religion and their right to build mosques. However, on the other hand, it is also permissible to ridicule Islam’s most foremost symbols - just like all other religions - symbols. There is no opposition between these two goals. In fact, it is even the case that they presuppose each other.”
Stroman continues: “What happens if a fundamentalist Muslim wants to express his faith through pictorial art? Quite clearly, it will be easy to persuade art galleries that the pictures are unsuitable, that they may lead to conflict. So the restriction of Lars Vilks’ possibilities to express himself may also negatively affect Muslims’ right to express themselves.”
[…] But Johansson remains adamant about his decision, and says: “It is worse for Muslims not to print this picture because it means we are treating them differently than the rest of the population whereas they should be equal. We all live under the same rules and values.” He even confesses “I don’t even like the picture.”
[…] “I do not care if the president of Iran is upset. He denied the existence of Iranian homosexuals, which means that anywhere between 5 and 10% of the population did not exist for him. I am here to acknowledge the existence of everyone. Even those - especially those - who disagree with me.” “People in other countries do not know what happened; they only know that something happened. So their reaction is not justified because they do not know the context.”
[…] Ulf Johansson is fighting the fight on behalf of all people, be they his immediate readers of those of who never heard of his newspaper, he concludes by referring to what Evelyn Beatrice Hall said to summarize French philosopher Voltaire's ideas: "I may disagree with what you say, but I will defend to the death your right to say it.”

*Update: It appaears that Sam Bacile is a pseudonym for a Christian Coptic man by the name of Nakoula Basseley Nakoula, which only makes this case even more murky than it originally is.

Tuesday, September 11, 2012

The duck, the politician, his chicken & her mall

"Soon you'll be walking this duck in the mall"... I saw this as an ad for an upcoming store at City Mall. But what if I told you that it was done before? Karine Wehbe heard it from three different sources, me, from just one. But the story is the same, a dead chicken chained to a (live) woman who heself was chained to a man at Espace2000 during the height of the punk movement. Now, if you really want to hear something very, very - ahem - strange about chicken and punks, I can tell you (and this from various sources!) that one of our most "respected" politicians (I know it's an oxymoron but stick with me) used to be nicknamed "Abou Djeje" (Abou is "father of" and "djeje" is chicken) because he would bring his pet chicken with his wherever he went (the rest of the story has it that, in pure punk mode, he would wear torn denim). For fear of a diffamation lawsuit, I shall not name that person, but oh you'd be surprised who it is!
PS: Apparently the titles of my posts are confusing people, just out of clarification this one refers to the movie "the cook, the thief, his wife & her lover" (fa iktada al tafsir).

Iron fist... Duplicated?


I am not saying they did, I am not saying they didn't.... But the hand/fist in the above ad (which is supposed to be a reference to spikes in barbed wires) resembles too closed the hand/fist in the Pirelli ad (the slogan ad says "in the heart and on the borders:). On all accounts, I go back to the tyre brand's motto "Power is nothing without control." And a lot of control is being required from our armed forces.... so as for them to exert power.

Monday, September 10, 2012

"Moulinex el Hobb" by Beirut/NTSC featuring Carmen and Miled Issa

Moulinex el Hobb by Beirut/NTSC featuring Carmen and Miled Issa from Tarek Chemaly on Vimeo.

Welcome to the release of “Moulinex el Hobb”, a 14-minute long musical by Beirut/NTSC featuring Carmen and Miled Issa, throwing you back to the 80s with the most popular hits being incorporated in a monologue about a Lebanese macho man’s (mis)adventures with women. This comes as a sequel to popular monologue about advertising jingles by Beirut/NTSC (featuring Deborah Phares) called “masmou7 lasek el e3lanat” (which can be found here)
A non-exhaustive list of featured artists includes: Samir Hanna, Mohammad Jamal, Nadim Berbara, Sammy Clark, Amir el Saghir, Ronza, Raja Badr, Joseph Nassif, Melhem Barakat, Tony Hanna, Georgette Sayegh, Salem el Hajj, Azar Habib, Samira Toufic, Ragheb Alameh, Menhem Freiha, Maya Yazbek, Adib Abou Antoun, Adonis Akl, Bandaly Family, Re-Mi Bandali, Taroub, Mishka, Wahid Jalal, Hekmat Webeh, Mouna Merashli, Aida, Hiyam Younes, Fahd Akiki, Hadi Hazim, Sabah, Nazih el Moghrabi, Fouad Ghazi...

Art lovers will have spotted that "Hobb" or "love" in Arabic was written this way as a tribute to Robert Indiana.
Feel free to share this video on whatever media you like! Enjoy....

Sunday, September 9, 2012

Mashrou3 Leila 201: an undegraduate crash course in ethics

As I write this post, Red Hot Chilli Peppers - undeterred by the campaign for BDS (Boycotts, divestment and sanctions) against Israel - are preparing their Tel Aviv concert. Mashrou3 Leila, the up and coming indie band released a very concise statement saying they will not open for the Peppers (because the BDS campaign escalated their protests and so the seven members - all of legal and voting age - decided not to do the opening act).
Here's what I remember from my Ethics course at AUB (the same university from which the seven members graduated):
The Deontological current (championed by Kant): To do the right thing for the right reason. Meaning: Mashrou3 Leila decided not to open for the RHCP because they sympathize and believe in the BDS.
The Utilitarian current (see John Stewart Mill): Bringing the highest amount of happiness to the largest number of people. Mashrou3 Leila thought: Hey, it seems there's a great number of our fans who are being vocal about this boycott, let's please them and not do the opening act.
The Aristotelian current (Chiefly the Nicomachean ethics): Moderation in all things. Mashrou3 Leila finding themselves in a situation which was much more than a storm in a cup of tea eventually said, hey, let's focus on our upcoming Parisian concerts and get on with it.
But you see, the issue for me is this: If seven people (as they say in French "adultes et vaccinés") and who are graduates from a prestigious university no less, make a knowing, mature and responsible decision (regardless if we agree with it or not) and we do not respect it, then next time these seven people (who are more concerned about the future of their musical careers than we are, I am sure of that) vote in the upcoming elections, we shall not respect whatever their vote was. Multiply this by the number of people who are able to vote, and - bingo - let's not respect the outcome of the next electoral process.
My deductions do not make ethical sense according to all three major ethical currents, but, as long as we allow ourselves to make decisions on behalf of Mashrou3 Leila, we should be happy. Shouldn't we be?
To say this in Arabic about the band "chou bi fahhemon" (what the hell do they know?).
Quite a bit, I am afraid.

Thursday, September 6, 2012

The pope is coming (Act busy)....

Pope Benedictus XVI is coming to Lebanon, the visit has its own website and twitter account @lbpapalvisit which in itself a sign of the times. It doesn't mean the church is getting dogmatically flexible, but it does mean that at least they are getting digital. The ads (let's call them the "official" ads) of the visit have centered around the French word of "foi" or faith. To be kind to his holiness, let's start with the hits.  
"Il etait une foi... et pour toujours" - which means both "once upon a time" and "there was once a faith"... And it goes on "and then forever."
Then the Arabic version, "Al eyman el sate3" or "the shining faith" - could this be a reference to the Rehbani song "Imani sate3"? The said song starts with the lyrics "no matter how late he will come, he who is coming will not get lost, he comes with no notice, fromt he heart of the sun, from the heart of light, no one knows, he who is coming, how he will be coming, my faith is shining, oh sea of the night,..."
 Actually, if any of the ads gets my stamp of approval it will be this one: "Le Pape et les jeunes à la foi" - the Holy Father and the youth together, but also it means "The Holy Father and the youth together in faith" (Even the lolapalooza visual seems fitting in this case).
The first miss is this one - it is supposed to say "with your coming, the heaven descended upon the earth" but it also means "with your coming, the sky fell upon the earth" (anyone remembers Asterix "que je ciel ne nous tombe pas sur la tete"?) The words "the sky is falling on the earth" is used in slang Arabic as "all hell breaking loose."

Now for the second miss.... And for a miss it is a huge one! "Par foi il vous acceuille"... It should mean "with faith he welcomes you" but the boo boo is that "par foi" (with faith) also means "parfois" which means sometimes... So the line reads "Sometimes, he welcomes you" (implicity "at other times, he doesn't" - probably because he is too busy with other things!).... No, I am not hinting at the abuse scandal.
Ahem... How about this stencil then found on walls of a Chrisitan school in Beirut?
As a side note, when the late pope John Paul II visited Lebanon in 1997 the crowds were cheering "John Paul II we love you" (and then, on the final day, someone came up with an Arabic version after several days of shouting an English slogan "Youhanna Boulos el tene, habib el cha3b el lebene") I am just wondering what could rhyme with "Benedictus XVI" either in English or Arabic.

Tuesday, September 4, 2012

March, anti-censorship (or is it?)

This fresh in. And I mean SUPER fresh. The Ashekman boys have just tagged a wall in Tabaris "Anta haorr aw la takoun" (either be free or don't be) after an initiative from MARCH (please visit their Virtual Museum of Censorship which is incredible).  I have not done my proper homerwork and contacted them, and so at this stage I am still not sure who is behind this. But whomever it is - you are doing a very, very good job.
Below is one of their ads: Do not be afraid of freedom be afraid for it.
UPDATE: This apparently is a little bit more controversial than I thought, according to The Angry Arab, the anti-censorship "was started by the Murr family (owners of MTV which has been spewing racism and homophobia for years, and the local promoters of bands and singers who are on the boycott list)." Apparently, it is a way to get round BDS campaign (Boycotts, divestment and sanctions) against Israel making therefore anti anti-Israeli boycott look like a form of intellectual repression (as an example the website cites this odd incident which supposedly happened with Francis Ford Coppola). See? Politics does meddle in everything!

Baron Googlian: Photography without a photographer

1379 Elgin Ave -Jon Rafman
Betrayal Film Portrait - John Stezaker
Chicago IL - Doug Rickard

In Lebanon, photography had long been dominated by the Armenian community which fled here after the Turkish massacre, so much that every person dabbling in photography was called "baron" - or "sir" as Armenians use the term. Since Armenian families end with "ian" (or son of - which means Kim's family is the "son of Kardash" - hence Kardashian) it was appropriate to call this post "Baron Googlian" as it celebrates a new kind of photography, the one where the photographer is not present.
First let's start with this news: "Deutsche Börse photography prize won by John Stezaker" something which phography purists are having a heart attack over. How can you give such a prestigious prize for someone who is not even a photographer? For someone who did not even take the original photos? After all Stezaker body of work relies on existing photographs (the body of work that won him the prize was taken from Hollywood promotional photos from studios) and slices them through and gives them a new context and narrative.
But it seems Stezaker is not a lone breed, as other photographers (and I am responsible for the use of the term) are heading to Google Street view to capture their photos - Doug Rickard and John Rafman are some of those leading the pack. Once more, the whole idea of photography seems in jeopardy if seen from a puristic angle - what happened to shutter speed? What happened to picking the correct lens? What happened to the exposure? What happened to picking the right film (sorry Eastman Kodak!)?
What happened is that we moved on. Because, as much as I appreciate technicality (and I do so as much as the next man), the photographs that linger in the memory are those that tell stories, that ask questions, that leave a moment hanging in time - shutter speed, lens, exposure and film (smile) be damned.
I am reminded of this quote from "Mona Lisa Smile" by Mike Newell where Julia Roberts plays Katherine Watson and shows students in her art class a photo of her mother:

"Katherine Watson: Next slide. This is my mom. Is it art?

Susan Delacorte (played by Laura Allen): It's a snapshot.
Katherine Watson: If I told you Ansel Adams had taken it, would that make a difference?"

So, by the same token, "If I told you Google Street view took it, would it make any difference?"

Monday, September 3, 2012

Later that same bay - now out on 7UPstairs publishing



And so here it is! And is freely downloadable. Short, concise, but heavily packed, and very pop oritented in design (thanks Fady Chahine for helping me finalize it). Enjoy.

Saturday, September 1, 2012

I vote Francesco Francavilla for "Chair"person

Image artist: Francesco Francavilla

So I believe everyone caught the story of how Clint Eastwood basically derailed the Republic National Convention in 12 minutes. There were some very, very funny replies to him and "Eastwooding" is now an official term in the slang English language. With any luck like Sarah Palin's "refudiate" (which she invented) it might become the New Oxford dictionary's new word of the year. Visually, we have the choice between Obama's own tweet "this seat's taken" (with a photo of the president's chair from behind with his head rising above it), or this brilliant interpretation by Francesco Francavilla which goes back the famous "Hope" poster by Shepard Fairey only to replace it with.... Yes, a chair - then again a chair could perhaps is even less woody than Mitt Romney's appearances.